Q & A with author Pauline David-Sax, with a spotlight on her new picture book, The Time Machine

Hi Pauline! Thank you so much for agreeing to chat with me about The Time Machine and your work as a writer. I’m excited to dive in…

1) I was so taken with the blurb about The Time Machine that I immediately ordered the book and reached out to you about doing an interview! What sparked the idea for this story? Did you do many rewrites to get the message in the story just right?

The spark for this story came from a prompt that another writer friend gave me: to try writing a story involving a machine. (I don’t usually like writing to prompts, but this was different because it came from a friend.) At first I felt a little stuck, because I’m not super into machines. But then I thought, the one kind of machine I wish I had was a time machine! I’m often thinking to myself, oh, if only I could go back 10 minutes and get a re-do on whatever embarrassing slip-up I just made! And then I started thinking, what’s a situation where a kid would want to build a time machine? What would they want to go back in time for? That’s where the first few lines of the story came from.

As for rewrites, yes, it does take many revisions to get the story just right! One of the major revisions had to do with slowing down the part of the story before Bailey gets the idea to build the time machine, to really explore how she feels, what she tries in terms of apologizing, and why those attempts don’t work.

2) I read on your website that you write to satisfy your insatiable curiosity. I imagine your curiosity can sometimes lead you to some wonderful yet unexpected places/discoveries. I’m thinking about your first children’s book, Everything in Its Place, when you had the amazing opportunity to interview many different women from Sirens MC about being in a motorcycle club. Can you share some additional insight about how your curiosity can lead you to learning interesting new things?

Well, I’ve been working on a picture book manuscript that features a pigeon, so I did a lot of research about pigeons. I learned how homing pigeons have an amazing ability to find their way back to their homes, but scientists aren’t exactly sure how they do it!  Also, did you know that pigeons were used to carry the results of the early Greek Olympics? (I could go on and on about fascinating pigeon facts, but for now I’ll leave it at that!)

3) You are also an accomplished playwright. How does writing a play differ from sitting down to write a children’s story? Or is the approach similar in certain ways?

I love to do research (as you can tell from those pigeon facts!) and many of the ideas I get for my plays are historically based, which means I spend a lot of time with source material before writing a first draft. But for children’s books it’s been different. Even though I did do research (in the form of interviews) for Everything in Its Place, the information I gathered ended up influencing the theme of the book (belonging) but not the story arc itself. The idea of writing about a kid who hides out in the library during recess came from my own experiences as a kid and my imagination. And for The Time Machine the only “research” I did was spending time thinking about my own experiences with apologizing (or wanting to and having trouble). 

4) What does a typical writing day look like for you? Do you have a dedicated writing space?

I do have a writing space: a small office crammed with books and notebooks! I have a desk and also a comfy chair, and I tend to go back and forth between the two as I work. Dreamy first-draft writing often is easier in the comfy chair, but sitting at my desk is good for revisions!

In terms of time of day, I’m not one of those people who can wake up really early or stay up really late to write! But I try to sit down and do my most creative work first thing in the morning, after breakfast and school drop-off. Later in the day is when I’m more likely to work on revisions. In the middle of the day I try to get outside for a walk to clear my brain. I’m lucky to live near Prospect Park in Brooklyn, so that’s often where I go for a break.

Thanks so much for chatting with me, Pauline! 🙂

More about The Time Machine: Bailey’s building a time machine… not to visit ancient Egypt or King Arthur’s court, but to take her to last Thursday. That’s the day she said the Thing that made her best friend so mad. But when it’s complete, Bailey discovers the only thing harder than building a time machine is having the courage to revisit a moment you regret.

Pauline David-Sax is a playwright, children’s book author & educator living in Brooklyn, NY. She received an Ezra Jack Keats Writers Honor for her debut picture book, EVERYTHING IN ITS PLACE (Random House Children’s Books, 2022). THE TIME MACHINE (Cardinal Rule Press, 2023) is her second picture book. Pauline was awarded the Jane Chambers Playwriting Award (2020) and was named a finalist for the Henley Rose Playwright Competition for Women (2020-21) and a semifinalist for the American Blues Theater’s Blue Ink Playwriting Award (2022). Find out more about Pauline at paulinedavidsax.com

About the illustrator of The Time Machine: Melquea Smith is an illustrator who has experience wanting to unsay The Thing, even now as an adult! When not illustrating, you can find her hoarding art books, concocting tea blends, and cuddling her sweet tabby cats. Melquea is the illustrator of Two Homes in Omar’s Heart (2021) published by Room to Read and another picture book with Includas Publishing (2023). Visit her at prettykittypaintings.com.


Leave a comment